scope intervu 1

 

The last thing Johnny Clegg sees himself as is a disciple of the Internet. Yet, he is leading South African music's charge onto the information highway.

Interview by Arthur Goldstuck
Mail&Guardian 11 June, 1997

When Johnny Clegg sees his eight-year-old son enjoying the Internet too much, he takes him for a walk with the dog.

It's not that Clegg feels the Internet is a threat to young Jessie, but rather that he wants to promote his son's "sensuous engagement with the world".
"He does karate, he does soccer, I want him to engage in the world. However, at the same time, I realise that his intellectual development is very important. He's got to be computer literate, he's got to be able to work the virtual room."

But the virtual room is exactly where Clegg draws his own line.
"I'm not really a disciple of the information highway. I like to keep my life as simple as I can at home and as non-intrusive as I can. I think that, to participate in it, you've got to accept the concept of a virtual community on the information highway. You've got to accept it at an emotional level."
For a person who, with a little help from his friends, redefined South African music during the 1980s, Clegg is in no hurry to get to the cutting edge of technology.

"I'm a face-to-face kind of person. I'm old fashioned in that way maybe. I prefer to deal with things as they enter my life. I'm also trying to slow down my life. I'm trying to enjoy my family, my friends, my local community as much as I can because I suffered in the 80s and early 90s with touring and I felt very disconnected at moments."

Ironically, the Internet has been playing an ever-increasing role in building Clegg's image worldwide, and in the coming month will see the artist participate in a ground-breaking technological experiment. His music will be among the first to be offered for downloading in a new compression format that reduces digital sound files to a 20th of their normal size, and reduces entire songs down to as little as 1,4Mb of disk space. Users pay 99c per song they download, and can then play back these "electric records" with a freeware software package called the Electric Record Player.

Developed by Bell Labs, and supported by a division of AT&T, the product has built-in copyright protection, which makes it the first online music delivery system to fully address the intellectual property rights concerns of the record industry as well as of artists.

page 2

 BACK TO ARTICLES | CONTENTS

Su Mrozinski 04.00